{"version":"1.0","type":"rich","provider_name":"Context XXI","provider_url":"http:\/\/contextxxi.org","title":"Once Again, on Decomposition\n","author_name":"John Shepley (translation) \u25aa \nSituationistische Internationale","width":"1200","height":"800","url":"http:\/\/www.contextxxi.at\/once-again-on-decomposition.html","html":"\u003Ch4 class='title'\u003E\u003Ca href='http:\/\/www.contextxxi.at\/once-again-on-decomposition.html'\u003EOnce Again, on Decomposition\n\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003EHow goes cultural production? All our calculations are confirmed when one compares the phenomena of the last twelve months with the analysis of decomposition published a few years ago by the S.I (c.f. “Absence and Its Costumers,” in Internationale Situationniste 2, December 1958). In Mexico, last year, Max Aub writes a thick book on the life of an imaginary cubist painter, Campalans, while demonstrating how well-founded his praises are with the help of paintings whose importance is \u003Ca href=\"..\/once-again-on-decomposition.html\" class=' pts_suite'\u003E(...)\u003C\/a\u003E\u003C\/blockquote\u003E\n"}