{"version":"1.0","type":"rich","provider_name":"Context XXI","provider_url":"http:\/\/contextxxi.org","title":"Theses on Cultural Revolution\n","author_name":"Guy-Ernest Debord \u25aa \nJohn Shepley (translation)","width":"1200","height":"800","url":"http:\/\/www.contextxxi.at\/theses-on-cultural-revolution.html","html":"\u003Ch4 class='title'\u003E\u003Ca href='http:\/\/www.contextxxi.at\/theses-on-cultural-revolution.html'\u003ETheses on Cultural Revolution\n\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E1\n\n\u003Cbr \/\u003EThe traditional goal of aesthetics is to make one feel, in privation and absence, certain past elements of life that through the mediation of art would escape the confusion of appearances, since appearance is what suffers from the reign of time. The degree of aesthetic success is measured by a beauty inseparable from duration, and tending even to lay claim to eternity. The Situationist goal is immediate participation in a passionate abundance of life, through the variation of \u003Ca href=\"theses-on-cultural-revolution.html\" class=' pts_suite'\u003E(...)\u003C\/a\u003E\u003C\/blockquote\u003E\n"}